Remnants

Every photo tells a story – what happened before for this scene to be here now – that’s what I lie about  photos, not the stories they tell on the moment, but what has happened.

Here?

What’s left behind

Remnants

The last belongings of refugees forced to flee? The last remounts of their lives, grabbed in blind panic in the middle of the night and now abandoned by the wayside, too heavy to carry?  What do you save when you have to save yourself?  Or  just someone who couldn’t be bothered to take his trash to the dumpster and so dumped it on the sidewalk?

 

 

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Heading Home (Looking for lunch)

Heading home after a walk in the woods, entering Bourges from the north east through the Edgelands – those places on the periphery of town – the final frontier of fast food restaurants, DIY stores and shopping malls, marking the limit of urban sprawl, that seems to sprawl ever further, every year, eating up the countryside. The Edgelands – vast warehouse shops with unlimited parking space. The downtown is dying as consummers opt for accessible, automobile friendly stores where there is more choice – that is actually no more than more of the same.

Bourges Skyline from the edge – The cathedral between the pylons.

Awaiting development.

Looking for lunch. Hey we’ve got traditional American cuisine out here in small town France.

Chez Ronald.

Buffalo Grill - a nation chain of French steakhouses and a firm lunchtime favourite for families because kids eat cheap.

Southfork Ranch? We’ve got an invite to munch from the Ewings

Bouncy Pink Giraffe for the kids.

These perihperal places are all so depressing. How about a delicious Pizza in town?

Buy ten and get one free.

Count to three for Pizza

Down to the Sea in Ships

Back from my brief summer road trip – a short tour of historic sights (sites) in Nprmandy and Brittany. Yes, rather than lolling round like a giant slug in the sun, this year we decided to do what real tourists do and be tourists (oh dear it is hard work being a tourist)

For your viewing pleasure, in this first flurry of holiday snaps – a few very unseaworthy boats. On holiday, I like nothing more than a stroll around a port, and I have a curious passion for sailing craft – the more unseaworthy the better. Snapped on this holiday (and a few previous ones) a selection of gloriously precarious and even dangerous vessels.

 

Blue sailing boat – Lorient August 2017

 

In Need of TLC – Lorient
August 2017

TLC 2

Checking up at low tide.
Lorient August 2017

 

Boat or submarine?

Yes it floats
Ile d’Yeu 2013

And now a few assorted small craft. No titles on these

Here’s one from Scotland circa 2011. Redolent of neglect. You wouldn’t treat a person like this. Why do this to a boat? Yes, boats have souls too.

Lobster fishing in Scotland July 2013

And now something a little more seaworthy

In full sail – old Tuna fishing boat

Red sails – but not at sunset

Wishing you all plain sailing

Street or Urban or more of the same as everyone else

First and foremost, a big thank you to all you other WordPressers who have been perusing and “liking” this blog, since I have been doing a majority of photo posts, there are more and more of you following my photographic exploits , I guess therefore that I might have to seriously consider adopting a more photo friendly format.

There are many of you who just use photos or words and photos. There are many of you who have definite photo styles – I’m still looking for my style, but I would cast it in the Walker Evans mode of  “vernacular photography” -For years, without a serious photographic style or mentor,  I have been snapping away at subjects that would cover Martin Parr, Al Wei Wei, Diane Arbus and Walker Evans, but for as long as I have been taking photos, until quite recently I had never actually heard of these iconic photographers. I was an exhibition of Diane Arbus photos in Paris in 2011 that put me on the track of serious photography. I didn’t change what I was doing, I just found a famous photographer who had taken the same photos that I was taking – so when I found Raymond depardon, Walker Evans and Martin Parr, pretty much by accident, I found that I was doing the same thing but without influence.

I think I do venacular photography, but I do a lot of street photos and urban photos, I just take clichés that I think are interesting, with the simple precept that “I am shooting this because no one else will bother.” The problem is now that with camera phones and Instagram, everyone is photographing everything, from what they they, what they wear to what they crap.

My computer is so old that I can’t use Instagram or any other site apart from Flick’r and, I refuse to use a camera phone. Phones are for phoning not for taking photos – yes, I still have a good old camera.

So, here I am off to London and then a tour of Northern France plenty of photo opportunities, but what is the style – Street? Urban? Venacular?

Here are a couple of clichés to highlight my problem. A photo of a smoker in the street and a photo of a building site. I think my  photos are valid, but what is the style. As for the building site, the photo depicts the changing face of my town. One day this photo will be historic – meaning that the vernacular becomes the past. For you to judge. I’l just keep on snapping – but I want to get on Instagram. I want worldwide circulation, I want people to see these photos, because they are no more or less crap than any other images you might see on the Web.

Cheers

Street Urban Venacular Historic Building Ste

One for the road